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Playing at the film club: Ikiru (Kurosawa, 1952)

Rashomon: the fate of critical background

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    Vili Maunula

    Hi,

    This is just to let you guys know that I’ve been pretty busy lately, and there may consequently not be any review of literature for Rashomon as I had originally planned. There just isn’t enough time in this world!

    If I manage to find some time, though, I may write up an overall introduction to some of the main issues raised in the relevant Kurosawa literature.

    I’m really looking forward to the discussion, though!

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